April 2012 Archives

The Sunday V - April 29 2012 - Victoria Labalme.png


I often tell my clients that performing and presenting is a bit like turning the crank on a gumball machine. You never quite know which colors will emerge.

And that is just as it should be.


Victoria_Labalme_Keynote_Speaker_Presentation_Skills_Creativity.jpgI'm quite certain President Obama's presentation at the Correspondents' dinner the other night came off slightly differently than planned...and yet it was wildly successful as it was. He was well prepared, he was relaxed, he was easy going -- which is how you want to be when you get up there.

Your presentation will rarely go exactly as you envision; there are just too many unknown variables. As Steve Martin says in his brilliant book, Born Standing Up, someone in the audience might just cough right on your punch line.

But...if you've done your homework, if you've truly prepared, and if you're on your toes, you'll take advantage of priceless unexpected opportunities.

A great director I worked with used to say in the weeks leading up to the play, "Do your homework."  But on the day of the first performance he would look at us and smile: "Now don't think about it. Just let yourself fly."

(c) Victoria Labalme Communications, LLC. All Rights Reserved.
The Sunday V - April 22 2012 - Victoria Labalme.png

These past 10 days have been an absolute whirl with back to back corporate stage presentations, coaching clients, and documentary film related events in NYC, San Francisco and then NYC again. Each event required different attire, a different tone, and a different approach to the material because each experience had a different purpose.

The same is true for your material when you present.

Many speaking coaches will tell presenters to "vary their tone". The problem with this kind of coaching is that it leads to "outside in" behavior. The presenter starts to raise and lower his/her voice and gesture "creatively" simply for the purpose of variety. The result: an inauthentic delivery style and self consciousness on the platform.

The fact is, variation will arrive organically when you are truly connected to your material and you are -- as we say in the acting world -- in the moment.

Just think of how a kid tells a story when they're excited or in a state of wonder.

I had an Alexander Technique teacher years ago who used to say "let, allow, permit" when it came to how we moved on stage.

The same is true for speaking. Rather than force a tone, let it happen organically.  On top of this, it's critical that you are connected to what you are saying so that you never are out of sync with your content. Quiet moments should elicit a quiet tone. Excited moments should bring an excited tone.

But all this will come if you structure your presentation so that you have a full spectrum of experiences within it and then you reconnect with those experiences. If you do, you will have more variety than you can possibly imagine because inside of you is a full prism of colored light just waiting to shine.

(c) Victoria Labalme Communications, LLC. All Rights Reserved.
The Sunday V - April 8 2012 - Victoria Labalme.jpg

How much do you reveal about your level of education when you open your mouth? A lot.

It's not only what you say, but of course, it's how you say it.

Like proper manners, proper English speaks volumes -- far more than you can imagine. 

When you blow a simple phrase, you risk losing the respect of the person or people listening to you; you scratch your status ever so slightly; and if the person you're speaking to cares a whit about the English language, you may have damaged the relationship more than you know.

Nobody likes to talk about this because these days, it's so incredibly un-PC. We like to pretend that we're all just fine with however someone speaks...but the fact is, that's just not the case.

(c) Victoria Labalme Communications, LLC. All Rights Reserved.
The Sunday V - April 1, 2012 - Victoria Labalme.jpgNapoleon - San Francisco - Victoria Labalme.jpg
It's almost midnight and I am just back from one of the most extraordinary film experiences of my life: the 5.5 hour viewing of NAPOLEON, Abel Gance's epic silent film, made in the 1927 and remounted in Oakland, California with a 48-piece live orchestra. Unbelievable.

Was it always great throughout? No. But was it worth the 5.5 hour experience which stretched in 8 hours with two 20 minute intermissions and a dinner break? Yes. I've never experienced anything like it. People flew in from Europe. People came from across the country. The 3,000 seat Paramount Theater in Oakland was sold out.

The film is FILLED with lessons in communication...though it is silent.

Paramount Theater - Oakland - Victoria Labalme.jpg1) the power of imagery, facial expression and "body attitude". How much can you communicate without words?

2) the power of music and sound (though no spoken dialogue). How can you use these in your next presentation?

3) the power of commitment to a cause - the scenes of Napoleon rousing the army or the oppressed were riveting. For what cause would you stand and shout before a crowd? Think about it.

4) the creativity and risk-taking involved. 5.5 hours? Years of one's life? For what are you willing to put yourself on the line?

5) the innovation -- Gance had 3 live cameras shooting certain scenes so he could then run them in sync on three screens all lined up to create Panavision (long before it's time)...his Polyvision. What ideas have you left go by the wayside, but which you know may have some genius within?

6) the COMMITMENT to put in the long hours involved. Great work TAKES TIME. Don't beat yourself up for the hours involved. What's the project you're expecting will take less than "it should"?  Great work takes time.  

7) the sustaining power of great art -- whether it's this film made in 1927 or the stunning Art Deco Paramount Theater in which the film was shown...or whatever it is you do next. Build something that will last.

Though "planned obsolescence" seems to be how many businesses keep the buyer perpetually buying, when it comes to art, plan for longevity.

Wouldn't it be cool if someone dug up your creation 100 years from now and called it a masterpiece?   

(c) Victoria Labalme Communications, LLC. All Rights Reserved.